#having it always active means that absolutely no one talks to Syougo if they can help it and he is consistently the creep in the corner

[ratwithhands]

Since I finished the manga a few days back, I wanted to revisit my two demon slayer OCs I made last year. Here's Yoshi and Syougo ^^

Syougo and Yoshiaki are childhood friends who both ended joining the Demon Slayer corps after being separated earlier in life. Yoshi spent his years training under his retired slayer father before passing the final examination, while Syougo ended up having to figure his own methods out after his first teacher made it so he couldn't use a true breathing technique again.

As an overview of the techniques they use:

Field Breathing is a technique Yoshi's father came up with over his career in the corps. When he retired, he continued to polish the forms and taught them to Yoshi. Both the name and the forms it utilizes are based on the flora around the rice fields he was raised and later retired to. The technique emphasizes speed, flexibility, and applying pressure to the opponent as much as possible. It's fluidity and aggressiveness leads Yoshi to be quick in handling threats since he pushes opponents around

Spirit Breathing (or if you're using archaic kanji, Vengeful Spirit Breathing) is a breathing technique Syougo made as a way to regulate his body and state of mind after losing the lung capacity to use Total Concentration or other methods. It's based around his base breathing rate so he doesn't overexert himself, which means to an extent he is always using it. In combat it's intended to psych out opponents and help highlight their weak points. Since it's mostly a distraction/intimidation technique, Syougo uses a secondary weapon to get the jump on opponents when they're not focused.

For some bonus design notes, here's some details for how they dress:

Yoshiaki's samue is based on what he'd wear when working at the rice fields with his family. The light green colour comes from being dyed with wisteria leaves, a precaution his mother took hoping it would protect him

Having nostalgia from weaving baskets with his mom when he was younger, Yoshi tends to use dry reeds for securing things. He ties his hair with it, decorates his equipment with it, and though his legs aren't visible, he ties reeds in a crossed pattern over his kyahan

The brown cotton sageo and tsuba he uses are handed down from his father. The scar on his cheek is also there for the same reason, his father had one and Yoshi decided to cut his cheek to look cool and match 💀

Syougo's haori has kogin-zashi embroidery across the sleeves and shoulders. He sewed it himself in between his training as a way to decompress and slow down. His kyahan have a matching stripe across the front

Syougo's tsuba was gifted to him by his current mentor who thought he would enjoy the oblique patterning to match his outerwear. His current mentor also requested a nichirin style tanto for him to use for his secondary fighting technique

The ragged look of Syougo's hair comes from him prioritizing training over all else, even appearance. The only instance where he will fully comb and dress his hair is for important meetings and ceremonies. He does maintain the part of his hair though, modelled after his mentor's (much shorter) hair. This is one doodle with clean hair

I'd write more about their character but this is getting long as it is 💀

I have a piece with Syougo that I'm going to put up soon, and at my sister's request I'll try doing a matching one for Yoshi

Hope you guys like these fellas ^^ I'll see you later